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Marbledworks, a visionary design studio established in 2022 by Maximilian Huber and Dominic Kim, redefines the art of working with stone. From their integrated workshop and office near Munich, this innovative company oversees every step of the creative process, from material acquisition to the final product. Their philosophy is rooted in exploring the delicate balance between substantial weight and ethereal lightness, manifesting in remarkable pieces such as the structurally intelligent Hex Table System, the fluidly shaped Jelly side table, and the intricately assembled Triptychon vases. Through ongoing collaborations with architects and artists, Marbledworks continuously transforms stone and other foundational materials from inert substances into vibrant, living forms. This narrative explores their evolving journey, a thoughtful translation that imbues raw matter with sophisticated design.
In 2022, Maximilian Huber and Dominic Kim established Marbledworks, a distinctive design and manufacturing studio located just northeast of Munich. Their combined expertise—Huber's deep-rooted family legacy in stone craftsmanship spanning four generations and Kim's architectural acumen—forms the bedrock of their collaborative venture. Their journey began with an informal exchange of ideas, evolving into a shared vision that led them to leave their previous careers in finance and architecture, respectively, to create something truly unique. Their studio, aptly named Marbledworks to reflect both the natural marbling patterns of stone and the meticulous process of working with materials, operates under one roof, fostering an environment where design and production are intimately intertwined.
The studio's dedication to quality is evident in its meticulous process. Huber and Kim personally travel to Italy, Turkey, and Brazil to source raw stone, ensuring each block carries a unique geological narrative. Their production facility in Germany integrates digital precision with skilled handcraftsmanship. Kim describes this as 'machine-assisted craftsmanship,' where advanced tools provide accuracy while manual finishing imparts distinct character. This approach results in pieces like the Hex Table System, which showcases modularity through contrasting materials, combining hexagonal aluminum profiles with diverse stone tops. The tables are designed for durability and adaptability, featuring screwed rather than glued components for easy assembly and disassembly, acknowledging the transient nature of modern living. In contrast, the Jelly side table exemplifies sensuality with its soft contours and rounded edges, inviting touch and reflecting natural erosion. Additionally, the Triptychon vases, crafted from stone offcuts, embody a commitment to sustainability and finding beauty in reclaimed materials. Marbledworks further extends its creative dialogue through collaborations, such as a recent project with Berlin-based architects Gonzalez Haase AAS during Berlin Art Week 2025, demonstrating their ability to translate architectural concepts into tangible stone forms.
Marbledworks' commitment to local production and responsible material use stands in stark contrast to the rapid pace of global manufacturing. Huber emphasizes that stone, a finite resource, demands respect for its inherent value, a concept often overlooked in a market saturated with mass-produced items. This awareness shapes every decision, from careful sourcing to precise assembly, ensuring that each piece is not only aesthetically pleasing but also built to last for generations. The studio's focus on durability and adaptability reflects a profound respect for both the material and its future owners, making their designs enduring testaments to the beauty and history embedded within stone.



